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A sound editor is a creative professional responsible for selecting and assembling in preparation for the final or of a television program, motion picture, video game, or any production involving or sound. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early, and over the decades has become a respected filmmaking, with sound editors implementing the aesthetic goals of. Comcast Email Setup Eudora. The recognizes the artistic contribution of exceptional sound editing with the. There are primarily three divisions of sound that are combined to create a final mix, these being dialogue, effects, and music; in larger markets such as New York and Los Angeles, sound editors often specialize in only one of these areas, thus a show will have separate dialogue, effects, and music editors. In smaller markets, sound editors are expected to know how to handle it all, often crossing over into the mixing realm as well.

Editing effects is likened to creating the sonic world from scratch, while dialogue editing is likened to taking the existing sonic world and fixing it. Dialogue editing is more accurately thought of as 'production sound editing', where the editor takes the original sound recorded on the set, and using a variety of techniques, makes the dialogue more understandable, as well as smoother, so the listener doesn't hear the transitions from shot to shot (often the background sounds underneath the words change dramatically from take to take), among the challenges that effects editors face are creatively adding together various elements to create believable sounds for everything you see on screen, as well as memorizing their sound effects library. Contents • • • • • • • • • Equipment [ ] The essential piece of equipment used in modern sound editing is the, or DAW. A DAW allows sounds, stored as computer files on a host computer, to be placed in timed synchronization with a motion picture, mixed, manipulated, and documented, the standard DAW system in use by the, as of 2012, is 's, with the majority running on. Another system in use presently is owned 's cross platform DAW running on using but also on. Other systems historically used for sound editing were: •, manufactured by of, • Several DAWs have been manufactured by • • Audiofile • AudioVision manufactured by Avid The WaveFrame, Fairlights, and Audiofile were of the 'integrated' variety of DAW, and required the purchase of expensive proprietary hardware and specialized computers (not standard PCs or Macs).

Of the two surviving systems, Pro Tools still requires some proprietary hardware (either a low cost portable device such as the 'Mbox' or the more expensive multichannel A/D,D/A converters for more professional high end applications), while Nuendo (a successor to ) is of the 'host based' variety. Sound-effects library [ ] Sound-effects editors typically use an organized catalog of sound recordings from which sound effects can be easily accessed and used in film soundtracks. There are several commercially distributed sound-effects libraries available, the two most well-known publishers being and The Hollywood Edge. Online search engines, such as, A Sound Effect and Sonniss allow users to purchase sound effects libraries from a large online database. Many sound effects editors make their own customized sound recordings which are accumulated into highly prized personal sound effects libraries. Often, sound effects used in films will be saved and reused in subsequent films. One exemplary case in point is a recording known as the ' which has become known for its repeated use in many famous films such as (1953), Pierre Marette Story (1957), (1980), (1981), and (1992).